Spotlight Material Artist: Karton – From Experiment Playing to Global Art

Humble design heroes

Cardboard is often considered as disposable, materials designed to protect goods on the way before being discarded. However, in the hands of artists and visionary designers, it became a medium for strength, beauty, and telling stories. Its cheap nature makes it accessible to artists and designers, offering a cost-effective way to explore creative ideas. For lazerian, cardboard has become a repeated force in practice, forming everything starting from furniture and sculpture pods – where the structure is important for stability and forms – to public art and automotive icons. Globally also, cardboard has emerged as a surprising champion of a sustainable and conceptual design.

Short history and evolution of cartons

The cardboard journey from simple packaging materials to famous media in sustainable arts is proof of creativity and innovation. While the term “cardboard” first appeared in the art world in early 1848, not until the 20th century artists began to really explore their potential. Along with interest in environmental problems and sustainable practices, as well as recycled cardboard attractiveness as artistic material. Artists around the world began to create statues, installations, and even paintings from the boxes and packaging that were discarded, turning what had been considered as garbage into contemporary artwork that inspired the mind.

This evolution reflects a broader change in the world of art towards the use of daily materials to increase awareness about waste and sustainability. Cardboard art has become a powerful tool for artists to comment on environmental problems, encouraging viewers to reconsider the value of materials that are often ignored in everyday life. At present, recycling cardboard is the heart of many innovative projects, inspires the new generation of artists to be made with the aim and contribute to sustainable dialogue about sustainability in art and culture. The history of cardboard art is not only about the material itself, but about increasing interest in making important arts – both reflect and shape our relationships with the environment.

Cardboard in the art of sustainable lazerian practice

Pupa – Waste does not want it

Among the most ambitious lazerian cardboard projects is Pupa, POD like a cave designed as part of the Bloomberg initiative “Waste Not Want It”. Built from cardboard and reclamation palette, Pupa functions as an in -depth installation, offering employees and visitors to the protection room at the London Bloomberg office.

Taking inspiration from natural habitats – cocoons, bee nests, profit -produced nests, and bird nests – the design imitates shelter while also remembering the domed cathedral ceiling. Sophisticated computer modeling translates the reclamation material into a triangular component, which is arranged with difficulty with the hands. Pupa is a cocoon in a building, not only provides a retreat but also a strong demonstration of the structural and cardboard abilities.

Beehive cardboard furniture

Honeycomb collections, including radiolaria sofa and chair bravais, showcase how cardboard can be elegant, durable, and sculptures. Made in collaboration with paper artist Richard Sweeney, this series uses a triangular column structure to achieve visual strength and rhythm. Corrugated cardboard that is sourced locally gives the foundation, proves that recycled materials can be converted into high quality and durable pieces. The structure of the beehive and cardboard surface manipulation introduces a unique texture, improving the quality of tactile and visual furniture. Honeycomb collection marks a turning point in how furniture design can realize sustainability and art.

Chromatogram – Art in Manufacturing

Assigned to the national manufacturing festival, the Lazerian chromatogram project changed the exchange of semi-deeel cotton in the 1860s in Blackburn to Wonderland Colorful Cardboard. Fifteen walk-in pods, each as high as 10 feet, made entirely from cardboard printed with precision. The appearance of this pod is carefully arranged to facilitate the appearance and interaction of the public, allowing visitors to experience artwork from close and appreciate the details of various perspectives.

Made during residency in a cardboard box company, this work celebrates the history of manufacturing and design, while challenging the audience’s perception of cardboard. By avoiding the right corner and embracing organic shape, irregular, the chromatogram defines the possibility of material again. The gradient colors printed on each module referring to the history of fifty-year-old ink of the cardboard company, turning industrial heritage into art.

Skoda’s cardboard car

In collaboration with škoda, Lazerian built a full scale replica from Karoq SUV from cardboard. Nicknamed Kid KaroqThe project positions the car as a “child -friendly vehicle.” More than 600 hours of careful expertise are used to replicate each curve and original vehicle panel, purely with the eyes. This project creates a unique intersection of art, design, and sustainability, turning cardboard into a striking and meaningful statue. The results are fun and technically enchanting, showing the ability of cardboard to captivate on a scale while highlighting sustainability in a form that can be recognized globally.

Curiosity kills the cat’s cardboard statues

For 50 Windows of Creativity Art Trail Manchester, Lazerian created a series of large -scale cardboard statues, including large binoculars and giant hands. These works are not only visually striking but also conceptual resonants, reflecting the themes of locking, distance, and fragility.

Binoculars, made from a combination of cardboard cuts and hands, contains lenses that play videos from inside the Lazerian studio, giving audience briefly far socially behind the scenes. It is a cardboard as a comment – fragile but tough, fun but reflects a contemporary life.

Techniques and Tools: Forming Carton Potentials

Making cardboard art is a process that combines traditional expertise with inventory techniques, which allows artists to open the full potential of this versatile material. In essence, cardboard art depends on simple but important tools: scissors for proper cutting, glue for strong bonds, and sometimes even carving tools to form complicated patterns and textures. Artists often experiment with various types of cardboard, such as corrugated or layered varieties, to achieve the unique effects and desired shapes in their sculptures and installations.

The process of working with cardboard is as creative as practical. Techniques such as cutting, attaching, folding, and coating them allow artists to build complex structures and shapes, from fine patterns to strong statues. Many artists also combine painting and drawing, adding colors and details to their creations. By combining this method, they can turn recycled cardboard into amazing work of art that rival which is made from more traditional materials.

What distinguishes cardboard art is accessibility and environmentally friendly nature. Using recycled cardboard not only reduces waste but also challenges artists to think creatively about materials and processes. Whether making large-scale installations or complicated models, artists show that with the right techniques and tools, cardboard can be formed into almost all forms that can be imagined that sustainable art can be beautiful and impact.

Cardboard in Global Stage Arts

Lazerian cardboard exploration sits in a lively global context, reflecting the possibility of dynamic in art, including visual art, sculpture, and installation. Throughout the world, artists and designers have increased cardboard into the material of choice:

• Isek Kinggelez Bodys Cityscapes of utopian cardboard made that rearranges architecture as dreams and democratic.
• Chris Gilmour Objects the size of hyper-realistic sizes that are carved-from the piano to bicycles from cardboard.
• Isabel and Alfredo Aquilizan Making a monumental cardboard installation that reflects migration and ownership, often combining other materials to increase depth and texture.
• Eva Jospin The landscape of a deep immersive cardboard that obscures architecture and nature.
• Monami Ohno The complex pop culture figure of the Amazon box, converting waste into fun nostalgia.
• Erwin Heerich Cardboard used to explore pure shapes and spaces, stripped of aesthetic trunk.
• Laurence Vallières Produced monumental animal statues in Burning Man, combining scale with ecological criticism and sometimes integrating other materials for structural strength.
• Shigeru Ban Humanitarian architecture designed with cardboard tubes, including the famous Christchurch cardboard cathedral.
• Kurt Schwitters Puzzle, cardboard, and personal objects that are inserted into the Merzbau installation, turn the remaining everyday into a deep environment.

Examples of this underlined universal cardboard resonance -daily material that is enhanced into a global language of sustainability, imagination, and accessibility. Displaying these works in the public space highlights the use and artistic values ​​of cardboard art, inviting wider audiences to be involved with creative expressions.

Why cardboard inspires

Cardboard carries a paradox: fragile but strong, while eternal, cheap but priceless when re -arranged. As green and environmentally friendly material, recycling handles urgent environmental needs, while everywhere makes it democratic. Kartis allows artists to express and express themselves freely, offering media that is free from commercial functions and constraints, allowing creativity without obstacles. Involved in cardboard art can also function as a form of rest, provide creative rest that refreshes the mind and triggering new ideas. While cardboard art may not last forever, the impact and message they convey can last long after the material fades. For lazerian and many others, more than one media cardboard – this is a statement.

Ordinary material, extraordinary stories

Through projects such as pupae, beehive collections, chromatograms, cardboard cars, and curiosity killing the cat, Lazerian has shown that cardboard is not a limit but liberation. Since the beginning of its use in the history of art, especially with the works of cabbage and chest of the 20th century, cardboard has challenged traditional boundaries. Artists often draw or sketch their ideas before turning them into cardboard statues, using paint to complete and improve final art with bright colors and textures. The importance of preserving cardboard art from environmental damage – such as humidity, sunlight, dust, and dirt – can not be exaggerated, because it ensures long life and integrity of these unique pieces. Cardboard art can also overcome political and economic problems, functioning as a medium for comments about social problems and sustainability. Some works of art express or hide aspects of daily objects, reveal what is usually ignored or hidden. The ambiguity of the term ‘cardboard’ itself – includes various materials and styles – adding to the intrigue and contemporary relevance in the art world. Throughout the world, artists continue to reiterate this lesson: cardboard may be humble, but in the right hand, he tells extraordinary stories.